Ancient Greek mythology comes to life in this black and white poster of a Classical sculpture of Niobe, the eternal weeping woman. This art poster fits right in with dark aesthetics like Gothic, dark academia, and dark romanticism. Bring a beautifully tragic touch to your home decor, whether Victorian, vintage, cottage, farmhouse, Boho, or modern. Photographed in Oakland Cemetery, Atlanta.
Exclusive to Muses Miscellany, this poster of an original, fine art photograph will make any space as unique as you are.
Posters print on thick, premium paper for excellent print quality and durability. The paper’s semi-gloss finish adds a beautiful sheen that also resists scuffs and fingerprints.
Your poster will be printed especially for you after you order and normally should arrive at your address in 4-7 business days.
(Note: during the winter holidays, printing and delivery can take longer than usual. So make sure you place holiday orders early!)
You can also feel good about your order’s environmental sustainability because:
* Printing posters only when ordered conserves materials, eliminating waste.
* Ink is GREENGUARD Gold Certified (a low-VOC/chemical emissions rating with stringent requirements).
* Packaging is plastic-free.
This weeping woman statue in Atlanta's Oakland Cemetery is the work of the Harrison Granite Company. A catalog it released in January 1918 pronounces its weeping women as, “Recommended for expressive beauty.”
They placed at least five of these statues in various U.S. cemeteries. The statues are very similar, though not completely identical.
According to an Oakland Cemetery blog post written by Richard Waterhouse, the statue represents Niobe, Queen of Thebes.
In Plato’s retelling (the oldest surviving version of the story), Niobe bragged that while Leto (the goddess of motherhood) had borne only two children, she had been blessed with 12.
Of course, Leto’s children were deities, Artemis and Apollo. Angered by Niobe’s hubris, the two promptly descended on Thebes and murdered all of Niobe’s children.
In Victorian cemeteries, Niobe is portrayed as the eternally grieving mother. The legend of this particular monument is that, on a full moon night, you can see tears streaming down her face. The wreath of laurel represents immortality, since laurel leaves never wilt or fade. Chiefly a symbol of victory, however, the wreath emanates a somber ambiguity when Niobe’s defeat is remembered.
Called the Gray Monument, this statue commemorates James Richard Gray (1859-1917) and his wife, May Inman Gray (1862-1940).
James’ epitaph reads almost like haiku:
The heart of oak the strong arms
The busy hands are dust
May’s epitaph, on the other hand, feels more businesslike:
My task accomplished and
The long day done
Four of their five children and several grandchildren share the plot as well.
Initially a lawyer, James bought the Atlanta Journal with two partners. He shortly became the paper’s President and Editor.
After his death, May and their three sons assumed management roles at the paper and its affiliated radio station, WSB.
Eventually, May became Chairman of the Board, son Inman served as President, and son James Jr. served as Vice President and Editor.