“Sweet Sorrow” Poster, 24x36”

$45.00 USD

 

Ancient Greek mythology comes to life in this black and white poster of Niobe. Known as a weeping woman statue, here Niobe kneels atop a pedestal, head in one hand in eternal sorrow, while her other hand clutches a laurel wreath. A beautifully tragic combination of mythology and Goth aesthetics.


Details

“Sweet Sorrow” Poster, 24x36” hanging in a living room

Add a touch of sophistication to any room with this fine art, semi-gloss poster. Printed on thicker, higher-quality paper than traditional posters.

* 24x36”
* 10 mil (0.25 mm) thick
* Fingerprint resistant

After you order, your poster will be printed especially for you, usually within 2-5 business days. The printmaker then ships it rolled directly to you.

This makes your order more environmentally sustainable because:

* Resources are only used to create posters people want.

* Eliminating warehouse space saves energy.

* Less shipping trips mean less impact from transportation.

Find out more information on the latest shipping times and impacts.

(Note: Posters print without watermarks. I include those on web images so that no matter where they end up, people will be able to find my website.)

History

This weeping woman statue in Atlanta's Oakland Cemetery is the work of the Harrison Granite Company. A catalog it released in January 1918 pronounces its weeping women as, “Recommended for expressive beauty.”

They placed at least five of these statues in various U.S. cemeteries. The statues are very similar, though not completely identical.

According to an Oakland Cemetery blog post written by Richard Waterhouse, the statue represents Niobe, Queen of Thebes.

In Plato’s retelling (the oldest surviving version of the story), Niobe bragged that while Leto (the goddess of motherhood) had borne only two children, she had been blessed with 12.

Of course, Leto’s children were deities, Artemis and Apollo. Angered by Niobe’s hubris, the two promptly descended on Thebes and murdered all of Niobe’s children.

Waterhouse writes:

In Victorian cemeteries, Niobe is portrayed as the eternally grieving mother. The legend of this particular monument is that, on a full moon night, you can see tears streaming down her face. The wreath of laurel represents immortality, since laurel leaves never wilt or fade. Chiefly a symbol of victory, however, the wreath emanates a somber ambiguity when Niobe’s defeat is remembered.

Called the Gray Monument, this statue commemorates James Richard Gray (1859-1917) and his wife, May Inman Gray (1862-1940).

James’ epitaph reads almost like haiku:

The heart of oak the strong arms
The busy hands are dust

May’s epitaph, on the other hand, feels more businesslike:

My task accomplished and
The long day done

Four of their five children and several grandchildren share the plot as well.

Initially a lawyer, James bought the Atlanta Journal with two partners. He shortly became the paper’s President and Editor.

After his death, May and their three sons assumed management roles at the paper and its affiliated radio station, WSB.

Eventually, May became Chairman of the Board, son Inman served as President, and son James Jr. served as Vice President and Editor.